After Ghana’s Asamoah Gyan scored a goal against Germany in the 2014 World Cup, he and his teammates did a coordinated dance step. When Germany’s Miroslav Klose scored a few minutes later, he did a running front flip. “Soccer celebrations are so appealing because they reveal players’ personalities, values, and passions,” says Clint Mathis, who scored for the US at the 2002 World Cup.
In Psalm 150, the psalmist invites “everything that has breath” to celebrate and praise the Lord in many different ways. He suggests that we use trumpets and harps, stringed instruments and pipes, cymbals and dancing. He encourages us to creatively and passionately celebrate, honor, and adore the Lord. Because the Lord is great and has performed mighty acts on behalf of His people, He is worthy of all praise. These outward expressions of praise will come from an inner wellspring overflowing with gratitude to God. “Let everything that has breath praise the Lord,” the psalmist declares (150:6).
Though we may celebrate the Lord in different ways (I’m not encouraging back flips in our worship services), our praise to God always needs to be expressive and meaningful. When we think about the Lord’s character and His mighty acts toward us, we cannot help but celebrate Him through our praise and worship.
C. S. Lewis and his older brother, Warren (Warnie), endured several terms at Wynyard, an English boarding school for boys. The headmaster was a cruel man who made life unbearable for everyone there. Decades later, Warnie wrote in his understated dry wit, “I am now sixty-four and a bit, and have never yet been in a situation in which I have not had the consolation of reflecting that at any rate I was better off than I was at Wynyard.” Most of us can recall a similar dark and difficult time in our lives and be grateful that we’re better off now than we were then.
Psalm 40:1-5 records a low point of David’s life when he cried out to the Lord who rescued him. God brought him up from “the slimy pit” and “the mud and mire” and set his feet on a rock (v. 2). “He put a new song in my mouth,” David says, “a hymn of praise to our God” (v. 3).
But deliverance from depression and despair are seldom one-time events. Psalm 40 continues with David’s renewed plea for God’s mercy, lovingkindness, and truth to deliver him from his own sin and the threats of his enemies (vv. 11-14).
Along with David, we can say at every low point, “I am poor and needy; may the Lord think of me. You are my help and my deliverer” (v. 17).
“Man’s chief end is to glorify God and enjoy Him forever,” says the Westminster Catechism. Much of Scripture calls for joyful gratitude and adoration of the living God. When we honor God, we celebrate Him as the Source from which all goodness flows.
When we praise God from our heart we find ourselves in that joyful state for which we were created. Just as a beautiful sunset or a peaceful pastoral scene points to the majesty of the Creator, so worship draws us into a close spiritual union with Him. The psalmist says, “Great is the Lord and most worthy of praise . . . . The Lord is near to all who call on him” (Ps. 145:3,18).
God does not need our praise, but we need to praise God. By basking in His presence we drink in the joy of His infinite love and rejoice in the One who came to redeem and restore us. “In your presence there is fullness of joy,” the psalmist says. “At your right hand are pleasures forevermore” (Ps. 16:11 esv).
My wife, Janet, bought me a new Dreadnought D-35 guitar for my 65th birthday. Originally developed in the early 1900s, the Dreadnought style is larger than most guitars designed during that time, and it’s known for its bold and loud tone. It was named after the large World War I British battleship the HMS Dreadnought. The back of the D-35 is unique. Because of the shortage of wide pieces of high quality rosewood, the craftsmen innovatively fit three smaller pieces of wood together, which resulted in a richer tone.
When NASA began using a new kind of space telescope to capture different spectrums of light, researchers were surprised at one of the photos. It shows what looks like fingers, a thumb, and an open palm showered with spectacular colors of blue, purple, green, and gold. Some have called it “The Hand of God.”
The conductor stood on the podium, his eyes scanning the choir and orchestra. The singers arranged the music in their folders, found a comfortable position for standing, and held the folder where they could see the conductor just over the top. Orchestra members positioned their music on the stand, found a comfortable position in their seats, and then sat still. The conductor waited and watched until everyone was ready. Then, with a downbeat of his baton, the sounds of Handel’s “Overture to Messiah” filled the cathedral.
In March 2011, a devastating tsunami struck Japan, taking nearly 16,000 lives as it obliterated towns and villages along the coast. Writer and poet Gretel Erlich visited Japan to witness and document the destruction. When she felt inadequate to report what she was seeing, she wrote a poem about it. In a PBS NewsHour interview she said, “My old friend William Stafford, a poet now gone, said, ‘A poem is an emergency of the spirit.’”
Charles Wesley (1707–1788) was a Methodist evangelist who wrote more than 9,000 hymns and sacred poems. Some, like “O for a Thousand Tongues to Sing,” are great, soaring hymns of praise. But his poem “Gentle Jesus, Meek and Mild,” first published in 1742, is a child’s quiet prayer that captures the essence of how all of us should seek the Lord in sincere, simple faith.
My early years as a believer in Christ were laden with foreboding. I had the impression that when Jesus comes back, all my sins will be portrayed on a giant screen for everyone to see.